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2005

Online Exclusives

Contents

Fiction Essays Poetry Conversations Reviews

Essays

by Myfanwy Collins

To the New World and Back

by Douglas Danoff

What I Know, What I Don’t

by Kerrie Kemperman

Milosz, Simic, and the Mask of the Prodigal

by David Keplinger

Popeye Hemingway

by Neil Mathison

The Last Haircut

by Joan Michelson

Weldon Kees & Robinson: Portraits in Absentia

by Jay Robinson

Poetry

Adjusting the Depth of Field

Standstill [Stagnation]

by Jan Lee Ande

by Victoria Anderson

by Lucy Anderton

At the Shipping Port

by James Arthur

The Kitchen Weeps Onion

by James Arthur

Someone in Chicago

by Julian Parke Billups

Adoration of the Easter Lamb

by Paula Bohince

What Tolstoy and Paleopathologists Have in Common

by Mary Buchinger

from “The Myth of Photography”

by Michael Chitwood

The Snowfields at Lone Fountain

by Michael Chitwood

Rosy-Fingered Whatever

by Chad Davidson

Tokyo: A Parable

by Chad Davidson

Snakes and Ghosts

by Lawrence-Minh Bùi Davis

Visit to a Vietnamese Jail, 1953

by Lawrence-Minh Bùi Davis

When the Whole, As If Many, That Message

by Sean Thomas Dougherty

How Now Kowtow?

by Frank Eannarino

Masaccio’s The Expulsion from the Garden of Eden

by Stephen Gibson

by Mary Gilliland

by Guy Goffette

Translated from the French by Marilyn Hacker

The Veil of Ether

by Guy Goffette

Translated from the French by Marilyn Hacker

Letter from a New World: 1492

by Debora Greger

In Memoriam: Ginger

by Benjamin S. Grossberg

In Defense of Los Angeles

by Eachan Holloway

by Geneviève Huttin

Translated from the French by Bradford Gray Telford

The Shape of Things

by Stephanie N. Johnson

Self-Portrait as Amputation

by Elizabeth Knapp

12 Lines After Leadbelly

by Maria Claire Leng

After Uncle Fred Nearly Dies, We Send the Tape to America’s Funniest Home Videos

by Stephanie Lenox

by Jesse Lichtenstein

by Jesse Lichtenstein

by Frannie Lindsay

Standing Where the Colossus Stood

by Christine Marshall

The Swamp Trail

by Wesley McNair

You Can See How the Waves

by Michael Milligan

Longing for a sense of history

by William Notter

The Cut of Diamonds

by Emilio Prados

Translated from the Spanish by Jennifer Barber

I Closed My Door

by Emilio Prados

Translated from the Spanish by Jennifer Barber

Song Without a Body

by Emilio Prados

Translated from the Spanish by Jennifer Barber

How to Use a Single-Lens Reflex

It has nothing of its own, but seizes hold on everything.

by Kenton Robinson

A Kind of Camera

by Christopher Salerno

by M. A. Schaffner

Two Views of Performance Budgeting

by M. A. Schaffner

by Rob Schlegel

Feast of the Trumpets, Warsaw, 1884

by Floyd Skloot

by Megan Snyder-Camp

by Daneen Wardrop

by Daneen Wardrop

Dry Lake, Nevada, 1983

by Autumn Eve Watts

by Rynn Williams

by Nance Van Winckel

by Scott Withiam

by Scott Withiam

The Evening Shows

by Scott Withiam

Conversations

On Language and Embracing Failure as a Writer: An Interview with Ha Jin

by Jessica Keener

Notes Toward a New Duty Now for the Future: An Interview with Thomas Sayers Ellis

by Kelsea Habecker Smith

Reviews

Legislating: Christopher Hitchens as Literary Critic

by Daniel Green

Seven-Star Bird

by David Roderick

2005

Online Exclusives