Reverb

A magnetizing field of echoes and reflections. AGNI’s writers return to the work.

Danielle Mckinney, Mercy (detail), featured in AGNI 103

Featured

Resisting Perfection

I was born in a small city in Guatemala, whose cobblestone streets and colorful colonial architecture have long housed a healthy community of American ex-pats. Growing up there, Spanish and English came to me like twins: chronologically, one was handed to me before the other . . .

Tracing the Going Morning

A year ago, I wrote in the margins of a poem of mine, “IDEA: Could send out as letterpressed cards . . . recipients can begin to (&, eventually,) assemble the poem whole.” It was winter and Jenny Odell’s How to Do Nothing was still settling in me from the summer before. I was growing more . . .

The Cooperage

Reverb by Melissa Green

I grew up on a small farm in West Townsend, Massachusetts, northeast of the Worcester Hills, at the border of southern New Hampshire. Its house and barns were built in 1800, and thirty years later, as the first stirrings of the Industrial Revolution whispered through, my family erected a cooperage there among the pastures and apple trees, a small clapboard outbuilding . . .

A Cold Halo of Calm

Reverb by Purple Saxifrage

Last night I went to bed earlier than usual. I’d avoided coffee all day so that sleep might come. Yet after half an hour of turning from side to side, the same unworthy temptation returned. To ingest something I knew would poison my soul—still, I could not restrain myself. My hand drifted back . . .

Memory of Translation

Reverb by Maria B. Olujic

I still have my first book in English, A Picture Dictionary for Children by Garnette Watters and S. A. Courtis, given to me by Mrs. Woodward, a Block Parent volunteer who lived several blocks from our home on Norfolk Street. Though I wasn’t part of the program, Mrs. Woodward had approached . . .

Dispatches from Palestine

Reverb by agnimag

In its fifty years AGNI has worked to “bring our readers into the living moment, not as tourists, but as engaged participants.” As we expressed in Against Silence: A Collective Statement toward Peace, we believe that all who bear witness to the ongoing violence in Gaza and the . . .

REVERB

“The Border Moves Through Us”: From Minneapolis, 2026

The works gathered here constitute acts of witness from Minneapolis, 2026. They pull apart and lay bare the historical and embodied dimensions of carceral Trumpism by making sense of its full-scale assault on personhood and daily life. As Lau Malaver writes, “The border, then, is not outside us. It moves through us.”

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