Fiction

Character entangled in circumstance. Revelations of language and self under pressure.

Danielle Mckinney, Hold Your Breath (detail), featured in AGNI 103

Featured

Wedding

Fiction by Ahmed Awny Translated from the Arabic by Wiam El-Tamami

I left without saying goodbye to him, my escape quicker and quieter than I’d imagined. And now, as I walk down my street, everything has taken on a peculiar quality: the road narrower than I thought, the stench of trash rising and mingling with a trace of ginger, the lights at the corner . . .

Florence, now a bird

Fiction by Silja Liv Kelleris

The girl in the birdcage rises with the rest of the city’s street birds. They caw her awake. Squawking seagulls cry. Piping pigeons coo, picking beads of morning dew off their feathers, which shine brown and gray under the wetness. Other creatures scamper to cross the avenue . . .

Hardest

Fiction by Philip James Shaw

What people meant by hardest was how cold. What I meant about worst was how alone. Coldest in at least over a hundred, you’d hear over and over. And it was cold, and it was dark, and the winds never stopped from the season we used to call fall clear through to now, what before was called summer.

Amber

Fiction by Miha Mazzini Translated from the Slovene by Gregor Timothy Čeh

She is making me a birthday cake and doesn’t yet know that she’ll probably throw it at me. In about fifty minutes’ time, perhaps an hour, our marriage will be over. She smiles fleetingly, more sensing than looking at me . . .

Gun Stories

Fiction by Jane Morton

It was getting late and everyone was telling their gun stories. Times they’d had a gun pulled on them, almost been shot, or, for just a couple of people, times they actually had been hit with a bullet . . .

The Men from Esc

Fiction by Cristina Rivera Garza Translated from the Spanish by Sarah Booker

In Babylon they say that certain fish burrow to conserve moisture when the river dries up. Then they come to the surface to feed. They walk on their fins. They move their tails in gestures of greeting and farewell. All this is said. When they are chased, they escape; but they always turn to look . . .

Portfolio

The AGNI Portfolio of African Fiction

A 2010 gathering from below the Sahara.

“What these stories seem to announce is a powerful narrative outlook that has almost nothing to do with the West’s expectation of ‘Africanness.’ Instead, it rises from the coming together of individual voices that happen to be broadly, variously African, writers with a straight-on, self-probing honesty and a poetic sort of thoroughness.”

From the Archive

He set my teeth on edge. He evidently had a bad temper, would raise his voice or give menacing looks in public, and had a terrible gift for sarcasm, which he would use with full commedia dell’arte gestures as if a mechanism connecting his mouth and arms had been engaged.

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