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Published: Fri Jul 1 2005
Diego Isaias Hernández Méndez, Convertiendse en Characoteles / Sorcerers Changing into Their Animal Forms (detail), 2013, oil on canvas. Arte Maya Tz’utujil Collection.
The Kitchen Weeps Onion

The kitchen weeps onion because
the cook is dead. Pans strike chorus, and the ladles
keep a knock-kneed stride. Burners

gleam more brightly. Chives, chives, and chives. Everyone seems
so tired, but the diners cannot sleep. The kitchen tonight
weeps onion, so everyone else must weep.

What’s the use in talking? Let’s touch, and
turn apart. The cook is quiet, cold, unearthly, and
the turnip breaks its heart.

Canadian-American poet James Arthur is the author of The Suicide’s Son (Véhicule Press, 2019) and Charms Against Lightning (Copper Canyon Press, 2012). His poems have also appeared in The New Yorker, Poetry, The New York Review of Books, The American Poetry Review, AGNIThe New Republic, and The London Review of Books. He has received the Amy Lowell Travelling Poetry Scholarship, a Hodder Fellowship, a Stegner Fellowship, a Discovery/The Nation Prize, a Fulbright Scholarship to Northern Ireland, and a Visiting Fellowship at Exeter College, Oxford. Arthur lives in Baltimore, where he teaches in the Writing Seminars at Johns Hopkins University. (updated 10/2019)

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