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AGNI 95

Contents

Editor's Note

Interiors

Fiction

Next of Kin
The River Is a Man
Cyborg’s Brother
There Is Nobody Here but Us

Essays

The past is gone and you can’t get it back
Pacing Tigers
Dear Person Who I Loved, Back When I Mistook Letters for Love
Florida, Farewell
Three Horses
Postcards of the Night Sky
Shelf Life

Hybrid

Seashells
Translated from the Japanese by Ryan Choi
Manual for a Galactic Alter Ego

Poetry

At the Autoimmune Retreat
Exposures
Speaker
Lowrider
Winter Photographs
from Therapon III
Catalytic Converters
Happiness (from the Innocent Love Series), 1999
Perfect Happiness (from the Innocent Love Series), 1999
Two Stories
Long Tall Fence
Week 24: Pomegranate
To Kill a Fly
Translated from the Spanish by Carmen Giménez and zachary payne
January 13th
Translated from the Spanish by Carmen Giménez and zachary payne
Un-epithalamium
Where Corn Husks Crosshatch Fields
My Funeral
Translated from the Turkish by Steve Kronen
Hollowed
Sonnet Ending in Response of a Four-Year-Old Told to Stop Banging His Fork on the Table
from Heartwood
Chagall’s A Wheatfield on a Summer’s Afternoon at the Philadelphia Museum of Art
Bitch under a Tree Eating Wendy’s
Such Love
Translated from the Ukrainian by Olena Jennings and Yuliya Musakovska
sometimes conversation is unnecessary
The Holding At Graylock
The North
Camouflage
Poem Not Intended to Stand in Contrast to Anything for Once
Place Names
Magical Thinking
Self-Portrait as Midwest Dawn
When people traveled to the worry well

Art Feature

You broke the ocean in half to be here…
Sugar Sea: On Artist Andrea Chung
AGNI 95

Conflicts and reckonings. Flags held and changed and changed again, in Ukrainian poet Yuliya Musakovska’s “Such Love” (translated with Olena Jennings) and Robert Pinsky’s “Place Names.” Journeys at the edge of competing intentions, in stories by Koye Oyedeji and Mariana Villas-Boas. Prose from the multiplicities of self by Alex Marzano-Lesnevich, Kelle Groom, and Khairaini Barokka. And poems that reexamine the surface, by Victoria Chang, Kimiko Hahn, Charlie Clark, and D. Nurkse. Artist Andrea Chung tears through the cover.

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