Tremors and agitations. A ground-shaking issue in two halves introduces Proximity, a portfolio of writing and art by women of color.

PORTFOLIO

Proximity: A Portfolio of Writing and Art by Women of Color

A 2026 transnational gathering of those committed to excavating and interrogating our connections within the systems of power that affect us all.

From AGNI 104

There is something about my face. I’m not paranoid. This has been reported. “What? What did I do to you?”

Or “Stop.” I don’t know what look I must make. I search my heart for recrimination.

Featured

“The Border Moves Through Us”: From Minneapolis, 2026

Reverb by agnimag

To plan a route to pick up my child from school, I check iceout.org for a map of recent ICE sightings. They’ve multiplied in recent days, with the Federal occupation surging to 3,000 agents in Minneapolis, five times the size of the city’s police department. Earlier in the morning, . . .

Honoring the Opaque: Strategies for (Not) Translating Queerness

Essay by Hoyoung Moon

I’m writing this because of a translator’s note that’s got me worked up, a paratext that appears in the Korean edition of Torrey Peters’s novel Detransition, Baby.

Sea Lung

Poetry by Pura López Colomé • Translated from the Spanish by Hillary Gulley

Your finest hour.
When you were no longer you.
An ideal dissolution, so to speak.
A mere unknown, forging forward

Wedding

Fiction by Ahmed Awny • Translated from the Arabic by Wiam El-Tamami

I left without saying goodbye to him, my escape quicker and quieter than I’d imagined. And now, as I walk down my street, everything has taken on a peculiar quality: the road narrower than I thought, the stench . . .

Angel with a Flower on Her Chest

Review by Seán Carlson

In late summer 2005, I disembarked in the city of Mostar after a three- or four-hour bus ride from Dubrovnik, the vaunted pearl of the Adriatic in neighboring Croatia. The wars that had dismantled Yugoslavia . . .

Mihalis Katsaros in the Craving Clutch of the Moon

Poetry by George Kalamaras

Sometimes we wake with a cave in our chest,
a dwelling we call Look here with me and weep.

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