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AGNI 29 and 30

Contents

Editor's Note

Reply to Birkerts

Fictions

The Man Who Could See Radiance
Beatles’ Songbook: Why Don’t We Do It in the Road
Translated from Ukrainian by Volodymyr Dibrova
Carol Anne’s Dad
Katie Vanderwald
The Dancing-Master
Science and Sin or Love and Understanding

Essays

Reflections of a Non-Political Man
Robert Penn Warren
On the Management of Absolute Empowerment: Nuclear Violence, the Institutions of Holiness, and the Structures of Poetry
Translator’s Introduction, from The Complete Poems of Anna Akhmatova
Echoes of Chernobyl in Soviet Ukrainian Literature
Inside the Cave
William Corbett

Poetry

[Untitled]
Translated from Spanish by Elizabeth Horan
125
Translated from Russian by Judith Hemschemeyer
212
Translated from Russian by Judith Hemschemeyer
389 Betrayal
No Mourning
Translated from German by Teresa Iverson
Ars Poetica
Translated by Jim Powell
I Wanted
Translated from Spanish by Alan West
The Advertising Man
Translated from Spanish by Sara Heikof Woehrlen
After Love
Translated from Spanish by Don Share
The Last Corner
Translated from Spanish by Don Share
Seeing a Friend Off
Translated from Chinese by Gu Zhen and Harry Thomas
from The Promised Land
Translated from Spanish by Martín Espada and Camilo Pérez-Bustillo
Light Surprised
Translated from Spanish by Alan West

Reviews

Exley
Eshleman
Dennis

Poetry Supplement

Editor's Note
Poetry
Poem in the Stanza of the “Rubaiyat”
You Remain . . .
A Visit (1959)
Vanity
Encanto Park, 1961
Spider Tumor
Against the Text ‘Art Is Immortal’
In the Garden
The Blue
The Dance
The Pool
Bill
The Pardon
Classic
Reflex
Triptych
Liberal Learning
Out There
Mary Snorak the Cook, Skermo the Gardener, and Jack the Parts Man Provide Dinner for a Wandering Stranger
Mrs. O’Leary’s Cat
The Founding of English Metre
Family Plot, October
Phonic
Amniotic
Glimpse of Main Event
“Everything was in the way. If it was just”
“It wouldn’t be fair to us for her to lie.”
“Nothing was more delicious or remote: after”
“She wrote that yesterday had been very good.”
“Surprised at my surprise that I could say”
“‘A picture that scares me has gone through my mind'”
Poem
The Ringing
The Dead Body Itself
The Last Day
Au Pair
Encomium
The Wrong Son
Herbst
Translated from German by David Ferry
Houw Hoek
Sea-lion at Santa Cruz
Crossing the Rockies
Home Movie
Marriage
Bryan, Ohio
Cousin Barbara
Downslope
Everything Under the Sun
November and December
The Minoan Distance
AGNI 29 and 30

AGNI 29/30 is full of bodies: living, dying, moving through time and space. If the issue itself were a body, the poetry supplement edited by Tom Sleigh (which comprises the central third of the material) would be the backbone. The cover art, William Kurelek’s “Nuclear Age Madonna,” sets the tone for an issue that solemnly—and sometimes not-so-solemnly—beholds the human body in all its fragility and holiness; and in Catherine Kurdish’s “The Dancing-Master,” the warped floor of a dance studio permanently alters students’ internal gravity. AGNI 29/30 also features fiction by Heidi Jon Schmidt and John J. Clayton; essays by George Scialabba, Judith Hemschemeyer, and Allen Grossman; and poetry by Jorge Luis Borges, Miguel Hernández, Lloyd Schwartz, Anna Akhmatova, Seamus Heaney, David Ferry, Heather Heather McHugh, Brenda Hillman, Sharon Olds, Frank Bidart, Alan Dugan, James McMichael, and Robert Pinsky.

Editor
Askold Melnyczuk
Executive Editor
Sharon Dunn
Managing Editors
Marcelle Hinand, Carolyn Harris
Advisory Editor
Sven Birkerts
Art Editor
Thomas Frick
Editorial Assistants
Elizabeth Albrycht, Sean Patrick Broderick, Kim Cooper, Natalie Gerber, Jacob Glazer
Contributing Editors
Rosanna Warren, Derek Walcott, Harry Thomas, Tom Sleigh, George Scialabba, Scott Ruescher, Robert Pinsky, Gail Mazur, Fred Marchant, Diana Der-Hovanessian, Marie Howe, Martín Espada, Stuart Dischell, John J. Clayton, Thomas Bahr, Dzvinia Orlowsky
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