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AGNI 31 and 32

Contents

Fictions

Sons of Adam
Chumming
Get Well Soon

Essays

School for Scandal
Better Than Nature: Gregory Amenoff’s New Paintings
Knowing More Than One Imagines; Imagining More Than One Knows

Poetry

Psalm #1
Sonnet: News from the World, Tomkins Square Park & the Metropolitan Transportation Authority
East and West
The Mad Woman
Translated from Ukrainian by Stash
Jeremy
The Name of God
Ruined Secret
[Untitled]
Translated from Ukrainian by Vera L. Kaczmarskyj
Aubade
An Ancient Alphabet
Sold Girl
At My Loom
Muscle and Prayer
Waiting for the Barbarians
Translated from Greek by Theoharis C. Theoharis
In the Field
The Deer Man
The Woman Who Held Waterfalls
A Garvey Man
Four and Five
Goddess of Hunting
Hall of Souls
Tartarchos
Needs
Carsick Children
Come Back Safely
Translated from Armenian by Diana Der-Hovanessian
If I Don’t Love You
Translated from Armenian by Diana Der-Hovanessian
A Nothing Generation
Tahafut al-Falasifah
Bones
Holland, May 1940
In Tiananmen Square
The Place of Beautiful Trees
As Long As
Hammond Pond
The Accordionist
Ode to the Chair
An Enduring Serenity
Telling the Story
Hospital Food
A Whitsun
My Turn
[Untitled]
Translated from Ukrainian by Vera L. Kaczmarskyj
Penelope’s First Thoughts during Solitude
What If
Spring-Tide
Tattoo
On the Cape
Shelters and Holes
Portland Hosts the Second Coming
A Story
Ending
How Night Falls
Four A.M. on Crusader
Patrilineage
Wittgenstein’s Prayer
The Shore of Misgiving
Transatlantic Greetings

Art Feature

Four New Paintings

Reviews

Montague & Heaney
Virgilio Piñera

Social Control and the Arts: An International Perspective

Essays
The Star System: A Mediated Form of Censorship in the Creative Process of Filmmaking
Frozen in the Dead of Winter: A Report on Writing in China
Translated from Mandarin by Xiang Feng
From the Surveillance of the Secret Police to the “Free Market”: Publishing in Poland Today
Everybody Else’s Freedom
Paradoxes of Perestroika
Remarks on Market Censorship
Black Women’s Writing on Trial: Publication Politics
Censorship is Regulation
Social Control and the Arts in South Africa
Britain: Homosexuality and Local Democracy
Concluding Discussion: Highlights
Market Censorship: A Personal Account
The Suppression Agenda for Art
The Evolution of American Publishing: A Brief Summary
Japan’s Censorious Censors and the Art of Eradicating Art
AGNI 31 and 32

In this issue, we invite you to investigate how international social control—explicit or implicit; government-sanctioned or cultural—affects the arts. Examine the printed proceedings of Harvard University’s 1990 Conference on Forms of Censorship. Acquaint yourself with Peter Dale Scott’s Coming to Jakarta through a reflective essay by the author, an interview, and three reviews (plus an excerpt from his book Listening to the Candle: A Poem on Impulse!). Delve into essays (such as Monroe Engel’s on Raymond Carver’s “Cathedral”), book reviews, and translations before returning to the original texts or approaching them for the first time. Explore the timely and the timeless with fiction and poetry from John Updike, Peter Balakian, Natalka Bilotserkivets’, Stash, Cordelia Candelaria, Wendy Ranan, Frances Minturn Howard, Jay Klokker, Jill Bialosky, and more.

Editor
Askold Melnyczuk
Executive Editor
Sharon Dunn
Managing Editors
Kim Cooper, Caren Mahoney
Editorial Assistants
Mark DeCarteret, Cynthia Dyer, Stephanie Fagan, Oren Izenberg, Tom Jenen
Advisory Board
Derek Walcott, Robert Pinsky, Leslie Epstein
Contributing Editors
Rosanna Warren, Sue Standing, Tom Sleigh, George Scialabba, Scott Ruescher, Dzvinia Orlowsky, Gail Mazur, Fred Marchant, Diana Der-Hovanessian, Marie Howe, Martín Espada, Stuart Dischell, John J. Clayton, Sven Birkerts, Thomas Bahr
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