AGNI 39

“That’s Why I Love Her So & Yeah, Yeah, Yeah, I Want the World to Know” or Why Jackie Wilson Died in Silence

The Second World

The Eternity Bird

How to Speak with the Dead? A Poet’s Notebook

from Philip Guston

The High Place of American Poetry: The Problem With Witness

from Borderlands: 27-39

A Catfish for Your Thoughts: Ukrainian Literature at the Turning Point

Water

The Building with a Crown

The Sealed Envelope

Gabriela’s Elqui

Nights Mutable as Water Revise Themselves Into the Shape of Our Extravagant Past

Manners

from Inferno: Canto XXXIV

Philips Street, Andover

Everybody Has a Heart, Except Some People

You Can’t Always Get What You Want

His Apprentice

Spirit Papers

Blue Ridge Blue

From a Letter I Did Not Receive

Paradiso

The Fire

Sticks

Guyton Place

Debris

It’s Top Forty in My Head

Sentence 2

The Lover

Boat-Builder

Hectic

Glory

Anaphora

Dear Editor Kirby, Even in This Facility

Little Death

Rushing the Gates of Empirical Gardens

My Father Receives the First Visitation

The Upsidedown Waterfall

The Hanoi Market

Trueblood’s Blues

Apokatastasis

Melissa (from Byways)

At a Certain Point

It’s Difficult

Precepts

Boraxo

A Handful of Bees

fromRose Window (or Prosettes)

Alzheimer’s

After the News

Apollo to the Athletes

The Story of Crucifixion

I Don’t Want a Son

The Alley

Whisper of Agony

Sky

Week in Valdivia

Mrs. Biswas Breaks Her Connection With Another Relative

Norwegian Spruce

An Interview With Leslie Epstein

The Thinnest, Whitest Blonde of All

Articulate Survival as Generosity in Four Books of Poems

Mr. Cogito’s Tragic Grandeur

Utopian Turtletop: Lynne McMahon’s Devolution of the Nude

The Degenerate Frontier