Introduction to the Art Feature

Michael Mazur (1935–2009) showed work in prints, paintings, and drawings, domestically and abroad, for fifty years. In prints, he was known for his contributions to the revival of monotype in the 1970s, especially in his monumental works Wakeby Day and Wakeby Night at the Massachusetts Institute of Technology and the breakthrough to large-scale use of this medium as standard studio practice. Other examples of this series are in collections at the Brooklyn Museum and the National Museum of American Art, Smithsonian Institution. Prints and paintings from all periods of his work are in the collections of the Chicago Art Institute, MoMA, the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Museum of Fine Arts, Boston, among many others nationwide. A retrospective of his work on paper, The Prints of Michael Mazur, was organized in 2000 by the Zimmerli Museum at Rutgers University and traveled to the MFA Boston, the Minneapolis Art Institute, and the Cantor Arts Center at Stanford University. Mazur’s body of some seventy-five prints illustrating Dante’s Inferno has been widely exhibited here and in Europe, and portfolios can be found in the collections of Harvard’s Houghton Library, Yale’s Beinecke Library, the Yale Art Gallery, the Boston Atheneum, the British Museum, and Museo di Castelvecchio in Verona, Italy. Until his death in 2009, he lived with his wife, the poet Gail Mazur, in Cambridge and Provincetown, Massachusetts.

Robert Pinsky, the author of the memoir Jersey Breaks: Becoming an American Poet (W.W. Norton, 2022), served as poet laureate of the United States from 1997 to 2000. During his tenure he created the Favorite Poem Project to document, promote, and celebrate poetry’s place in American culture. In addition to three anthologies co-edited by Pinsky, Americans’ Favorite Poems, Poems to Read, and An Invitation to Poetry, the project has produced fifty short documentaries showcasing Americans reading and speaking about poems they love.

He has published ten collections of his own poetry, most recently Proverbs of Limbo (2024) and At the Foundling Hospital (2016), both from Farrar, Straus & Giroux. The Figured Wheel: New and Collected Poems 1966-1996 was a finalist for the Pulitzer Prize and received both the Lenore Marshall Award and the Ambassador Book Award of the English Speaking Union. His other awards include the Shelley Memorial Award, the William Carlos Williams Prize, the PEN/Voelcker Award, the Korean Manhae Award, and the Los Angeles Times Book Award, as well as the Howard Morton Landon Translation Prize for his bestselling verse translation of The Inferno of Dante. Among his other prose works are The Sounds of Poetry: A Brief Guide and Thousands of Broadways: Dreams and Nightmares of the American Small Town. Poemjazz, his CD with pianist Laurence Hobgood, is available from Circumstantial Productions.

Now retired from his decades of teaching in the graduate creative writing program at Boston University, Pinsky is a member of the American Academy of Arts and Sciences, the American Academy of Arts and Letters, and AGNI’s Advisory Board. (updated 5/2026)

Pinsky’s collections Poetry and the World and The Want Bone were reviewed in AGNI 36 by Peter Sacks. His translation of The Inferno was reviewed in AGNI 41 by Alfred Corn. Pinsky’s collection The Figured Wheel: New and Collected Poems was reviewed in AGNI 44 by Thom Gunn.