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Published: Fri Jul 1 2005
Diego Isaias Hernández Méndez, Convirtiéndose en characoteles / Sorcerers Changing into Their Animal Forms (detail), 2013, oil on canvas. Arte Maya Tz’utujil Collection.
Masaccio’s The Expulsion from the Garden of Eden

It’s as if my parents were being driven naked
from the Garden by the Almighty himself,
the look of shame and guilt on their faces
is that convincing—and the fear of what awaits—

though when I visited my father’s gravesite
I didn’t think of this or any painting,
just the words he had carved in stone: Tank destroyer.
He was a WWII vet and in and out of hospitals

the rest of his life. Until he died after electroshock,
I didn’t know he was alive—I learned this from my mother
who hadn’t remarried yet when the VA notified her.

All I remember is watching her from the top
of my bunk bed (my brother was on the bottom)
running from room to room when she got the news.

Stephen Gibson is author of a poetry collection, Rorschach Art (Red Hen, 2001) and a story collection, The Persistence of Memory, a finalist for The Flannery O’Connor Award and the Spokane Prize. The poem included here is from a new collection, Masaccio’s Expulsion. New poems can also be found in Bryant Literary Review, Epoch, The Louisville Review, Margie, New Delta Review, and Ploughshares, and new fiction in Michigan Quarterly Review. (updated 10/2005)

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