Lia Purpura, Parasol Mushroom (detail), featured in AGNI 102
Lyonel Feininger
Picture a dark fugue of interiors,
and there in each the long slits of windows
as imagined from the outside—an alley,
or the many versions of an alley,
as if the city fell from a great height
and shattered strangely, neatly into shards,
so what you get is a universe,
ordered, yes, but whose violence
of accident yields a certain hope,
a play, where tiny brushstrokes of no
one shade tell us there is freedom here.
And at the corner of our sanctuary
looking in, a man, the only stain
of red, poised to enter the solitary
gate, to dwindle like a prayer, a flame.
It is 1914. The alley narrows.
The prow of it cuts a sea of clouds.
And if you look hard, the night suggests
some rough shape at the vanishing:
a second man perhaps, his back to us,
a soldier, a thief, or just a superstition,
a hole at the tapering end of things.
Perhaps the shadow of our protagonist,
a charred fragment, having wandered off
into the distance, swallowed by the maze.
Picture happiness here, the painter said,
I do, though who among us wouldn’t pour
through all these unlit windows, these cracks
in joy, careful to keep our voices low
as if history were out there, lightly sleeping.
Take me with you, says the red to the black.
Somewhere the distant cannons of the storm.
Take me, says the fire to the smoke,
the man to the shadow, the one who sees us,
flees us, leads us on, the one whose face
keeps disappearing the moment that he turns.

Bruce Bond
Bruce Bond is the author of thirty-seven books, including Invention of the Wilderness (Louisiana State University Press, 2023), Therapon (with Dan Beachy-Quick; Tupelo Press, 2023), Vault (Ashland Poetry Press, 2023), and Lunette (Green Linden Press, 2024). His honors include the Juniper Prize, Richard Snyder Award, Test Site Poetry Award, New Criterion Poetry Award, Nicholas Schaffner Award for Literature in Music, Crab Orchard Book Prize, Elixir Press Poetry Award, two Texas Institute of Letters Best Book of Poetry awards, fellowships from the NEA and the Texas Commission on the Arts, and seven appearances in The Best American Poetry. (updated 10/2025)