Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
from The World Book: Volume T, Pg. 7974
On this page, a boy skates. See blades,
see ice. See his leg trembles. He will fall—
the future. On the river bank, another boy
waits—the present. I’m learning
Spanish—progressive—and failing.
No comprendo. Of the numbers, I remember one,
of course, and eight. If asked, my phone:
ocho-ocho-ocho, ocho-
ocho-ocho-uno. I say, Yo soy Grégorio
but I am not Gregory. This boy on skates
se llama Grégorio. Greg tiene eight.
Grégorio has ocho años, possesses
the number of times the river has frozen.
¿Qué hora es? Upside-down question
marks, for me, me gusta, this announcement
of inquiry. The time, las ocho minus uno—
below the equator, it’s summer. Simple
futurity: it will be—; I shall—. Futility,
hopeless labor of so many tenses, tests,
the stone rolls back down—determination,
tensile stress (see: STRENGTH OF MATERIALS)
leads only to expansion. Vocabulary,
a simple tent resembles the letter A—primitive
dwelling of new words—verbs like ropes,
structural members in a particular tense,
say past. Tenochtitlán (see: SPANISH CONQUEST).
I no longer say eggs for Thursday.
A small victory, the distance between
why and because: por qué to porque—
nearly the range of a tenor, two
full octaves from C to C.
Si, conquistadors of figure ochos.
Figure in a few blunders. Like a tenpin
the boy falls. The other boy laughs.
Always pitch your tent on high ground.