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Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.

Essay Fragment: Moral Model of Disability

xxxThat winter we kept xx xxxfinding the wings xx
xxxof pigeons pulled from their sockets. xx xxxViscera deleted xx
xxxby the rain. A symbol xx xxxstripped of its meaning. xx
xxxWorry bead mistaken xx xxxfor a pebble. My mother xx
xxxwill not admit to our history xx xxxheirloom of disease. xx
xxxOnce, malformed children xx xxxwere dashed against the rocks xx
xxxslay the child, spare xx xxxyour now unburdened blood. xx
xxxMy chest is rivered with cracks xx xxxmy sternum broken like xx
xxxan ox. My father tells me xx xxxthat a wolf will eat xx
xxxtheir own young xx xxxthose too weak to survive. xx
xxxThis morning, a stranger in the strip mall xx xxxoffered blessing palms xx
xxxto pull this shattered bone into xx xxxchurch’s sharp-edged mercy. xx
xxxThis disabled body is always product xx xxxor vessel xx
xxx[of sin/for mercy]. xx xxxAlways this body of crooked back xx
xxx& sidestepped gender. xx xxxBody of apple-taker xx
xxx& rib-giver. xx xxxThis body of ungiftings xx
xxxworth praying xx xxxaway. xx
 
Portrait of torrin a. greathouse

torrin a. greathouse is a transgender cripple-punk and author of Wound from the Mouth of a Wound (Milkweed Editions, 2020). Their work has appeared in Ploughshares, New England Review, TriQuarterly, AGNI, and Kenyon Review. She is an MFA candidate at University of Minnesota and assistant editor of The Shallow Ends. (updated 9/2020)

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