I.i.
If you want to change your life
_ burn down your house
_ _ Before we left for the beach
Ronna took off her rings
_ _placing them on the basin
_ _ with the rest of her possessions
the hot offshore winds
_ _meant it was warm and cool
_ _ as we waded on the wet sand
through the agitated air
_ _a day that was just right
_ _ Ronna rehearsing her solemn
procession up the aisle
_ _one arm crooked up
_ _ on her imaginary father’s
the other with an imaginary bouquet
_ _surrounded by frisbees
_ _ a day happy enough
to forgive one’s own karma
_ _forget that of others
_ _ under a blue sky
which as we returned
_ _over the Devil’s Slide
_ _ was divided like a flag
half blue half ominous black
_ _the dense smoke a message
_ _ to speed home
over the Bay Bridge
_ _to the miles-wide storm cloud
_ _ fringed with dots of flame
increasing in darkness
_ _until it was almost night
_ _ headlights the flashing emergency
warning our freeway was CLOSED
_ _towards the house where
_ _ (we did not yet know this)
Cherry our unsuspecting
_ _house-mate from Taiwan
_ _ had just narrowly escaped
through a burning rain
_ _of eucalyptus leaves
_ _ with no more than her stuffed bear
and a few yards up the street
_ _eight people burned to death
_ _ rivulets of metal
from their melted cars
_ _over the burned asphalt
We were the last to make it through
we heard from one survivor
_ _who had jumped in the back
_ _ of a stranger’s pick-up
in the hushed exchanges
_ _as we waited for coffee
_ _ next morning at the bed-and-breakfast
with nothing to do that day
_ but to tell our tales
_ (the woman two doors down
had loaded her car to the roof
and now it was too late
to go back inside
and find her car keys)
_ _that were only fragments
_ _ The fourth afternoon
we were taken there
_ _in an Oakland police car
_ _ a wreath where our neighbor died
and the thick layer of ash
_ (Could this be all our books?
the stove? the refrigerator?_
the two sets of china?)
_ _as unpossessed
_ _ as the Huron potsherds
in the black corner of an autumn field
_ _the burnt tiles of that Roman villa —
_ _ impossible to explain this
hard just to keep in mind
_ _that we all must die
_ _ In a bravura gesture
of letting-go
_ _Ronna took out her key
_ _ and threw it back to the Devas
we were driven away
_ _the three of us crying
_ _ like ancient warriors
or pre-adolescents
_ _dry sobs that since
_ _ have come back in therapy
divorce my mother’s death
_ _choked us that week
_ _ at each glimpse of the naked hillside
as labile as children
_ who have not yet the illusion
_ we are in control
dazzled and shattered in turn
_ _by the ominous beauty
_ _ of say a sunset under rainclouds
from which it was a relief
_ to go back to teaching
_ Pound’s tears at Pisa
watching the spider at work
the tent-peg’s moving shadow
the moon through laundry
to the nine-through-fiveness
_ _of a twentieth century
_ _ the unassailable defenses
of a presentational self
_ _as if in one week
_ _ we had lived two different ages
two habits of living
_ _irreconcilable
_ _ except when caught off guard
my cheek unexpectedly wet
_ _from reading in the Chronicle
_ _ of Tibetan prayer wheels
on the hillside
planted where homes had been
Peter Dale Scott is a writer, researcher, and emeritus English Professor at the University of California, Berkeley. Crossing Borders: Selected Shorter Poems appeared in November 1994. Together with Czesław Miłosz, he has translated the Polish poet Zbigniew Herbert. (1999)
“An Interview with Peter Dale Scott” by David Gewanter appeared in AGNI 31/32.