Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
—Disappearance—Nativity
my gardener. I was a house,
you my lodger,
My Heart, you were the fist that knocked
and knocked and I would not answer.
until a glance could pass straight through me
as I lay
under a shroud
that stank of Clorox.
their probes slick with
the scentless oils of technicians—
be opened, peeled back, forced
to look. And I did, as I was told—
to your co-conspirators, who dug you
out of the blankness of my flesh,
you came forth
a smudge of white against the ultrasound’s
pale, a magnolia in a bowl,
an elegant centerpiece. You had no heart,
But you had style. Even your dying
was oddly stylish, the way you resembled
the wan tail of you grew
longer, more tenuous on the screen.
and with endearing gravity take a nose dive
until the light blinked out and I was
nor heaven for a gauzy constellation.
The screen went dark and I came back
I was myself again. I was flesh. And living.
Lynn Emanuel is the author of five books of poetry, includingThe Nerve Of It: Poems New and Selected (Pitt Poetry Series, 2015), which received the Lenore Marshall Award from The Academy of American Poets. Her most recent book, Transcript of the Disappearance, Exact and Diminishing, was published by the Pitt Poetry Series in 2023. (updated 5/2024)
Read Emanuel’s essay, “The Mother,” in AGNI’s The Writing Lives of Roe v. Wade.