Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
Taking Possession
It has stopped raining. The bold, astonishing blue jay
outside the window is impossible
to imagine.
Because he is the center of the picture
he will never again take leave of our property. But he awaits
possession. The clothesline
crosses his world with jewelled white bars. His every movement
will be scat
singing. But he does not move. The wooden clothespins are
an unbearably still audience:
what has already been heard of the song. Oh how this jay
does not, will not
move. Whole note
that won’t be struck,
he holds out on us. He awaits the beginning like we await
the end. And before it is reached
it is sufficient to be
a single, crisp, electric-blue tone. . .and to merely sit
in the world, after rain, in early fall
is flight enough. The body is
a peninsula of waiting cast out into the spirit, and the raindrops
still clinging to the lines
await re-collection into the present, a score
that will not begin
to have them. For now is an indoors, a roof over our head,
and sometimes we need never step out again in order to
take full possession of
ourselves.
Jorie Graham won the Pulitzer Prize for Poetry in 1996 for her collection _The Dream of the Unified Field: Selected Poems from 1974–_1994. She is currently the Boylston Professor of Rhetoric and Oratory at Harvard University. (updated 6/2010)