Malak Mattar, Untitled (detail), 2024, charcoal on paper
Nocturne
The black sketch of the moon, from any neighborhood,
seems far more certain of its illness, and the chains
that tie it to our world as to a bed
than of that world below, whose trellised rains
stacked like green freight in the archipelagos
seem intricate, wind-roughened, close-spun, free.
Black stone, in your diminished state, hold close
your memory of the uprooted scree
that tore you from the hemorrhaging plains; sip
your tribute of insomniac regard;
and, from the slurred buzz of our dreaming, strip
our caved-in memories of house and yard
and, tying them to a passing comet’s tail,
fling that lit torch end over end over end . . .
white stone, at whom prisms stand aghast and blend
a light so indirect, it takes the veil . . .
do not forget the closeting of wives.
Like red wine on the tongue, it stalls and thrives.

The first poetry collection of Joe Osterhaus, The Domed Road, appeared in Take Three: AGNI New Poets Series: 1 (Graywolf, 1996). His poems also appear in The New American Poets: A Bread Loaf Anthology (Middlebury College Press, 2000) and American Poetry: The Next Generation (Carnegie Mellon University Press, 2000). He lives in Washington, DC. (updated 2000)