Danielle Mckinney, Mercy (detail), featured in AGNI 103
Milton’s Satan
Diabolical heat for this time of year.
There’s the whir and hiss of my fan.
A digital clock blinks on its table.
Self-will is pulsing:
I ache to fly off and find the last of our children,
gone too far away to college.
The nest is empty. It’s burned. The ceiling
of her room still shows her poster for Some Like It Hot.
It’s shriveling after long years
when Monroe looked down on a herd of plush deer
and other mild creatures
now ragged with age. I imagine imagination
might cool my soul: I wrestle to mind
a gentle meadow dotted with flowers,
the checkered shade of a hardwood stand in fall,
a small brook’s ice-jeweled pools,
and last, an unmarred quilt of snow
on our cellar bulkhead_._
Such willful visions won’t hold. The meadow is scorched
and tunneled by rodents, parasites thrive
in the trees, mosquitoes will hatch from the streambed.
The snow looks pure. Mercury laces its flakes.
Her absence is bodily ache.
It throbs. It scalds. There are reasons to think of Satan,
his imperious will,
its ruinous conflagrations. Which way I fly,
the poet’s devil claims, is hell.
Satan says, Myself am hell.
Sydney Lea
Sydney Lea is the author of sixteen poetry collections, including What Shines (Four Way Books, 2023) and Pursuit of the Wound (University of Illinois Press, 2000), a finalist for the Pulitzer Prize; two novels, most recently Now Look (Down East Books, 2024); seven volumes of personal essays, most recently Such Dancing as We Can (The Humble Essayist Press, 2024); and a hybrid mock-epic for kids, with former Vermont Cartoonist Laureate James Kochalka. His new and selected poems, Dancing in the Dark, is due out from Four Way in 2027. Lea founded New England Review, served as Vermont Poet Laureate from 2011 to 2015, and has received his state’s highest artistic distinction, the Governor’s Award for Excellence in the Arts. (updated 4/2026)