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Published: Thu Jul 1 2010
Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
Harvest

an homage to Pieter Breughel

I was the boy on the crew.  Harold Townshend
positioned my hands on the scythe: “Don’t chop,
keep the heel to the ground for a long sweep,”
and the tall wheat toppled in neat rows.
We worked the field in squares with straight lines
and the pattern we cut revealed the curve of the land.

Fetching water in tall jugs from the well
I climbed through the cool tunnel of high wheat
clear to the top of the long hill,
and burst struggling for air into the clearing
where the harvesters sat, eating and drinking
under a pear tree, and pears fell around them.

My brother stood high in an apple tree, shaking its limbs
and sending apples down. A cousin gathered them.
It seemed like birth time with the earth nursing us all,
the whole farm, people, crops, the soil
itself, and it had a self, coming together,
and I being born as a man with work to do.

Barry Goldensohn (1937–2023) published six poetry collections and numerous essays. His last book was a volume of poems about music, The Listener Aspires to the Condition of Music. His work appeared in The New York Review of Books, AGNI, Salmagundi, and elsewhere. Goldensohn taught at Goddard College, Iowa Writers’ Workshop, Hampshire College, and Skidmore College.

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