In the dating bar, the potted ferns lean down
conspiratorially, little spore-studded
elopement ladders. The two top buttons
of every silk blouse have already half-undone all
introduction. Slices of smile, slices of sweet brie,
dark and its many white wedges. In back
of the bar, the last one-family grocer’s is necklaced
over and over: strings of leeks, greek olives, sardines.
The scoops stand at attention in the millet barrel,
the cordovan sheen of the coffee barrel, the kidney beans.
And a woman whose pride is a clean linen apron polishes
a register as intricate as a Sicilian shrine. In back
of the grocery, dozing and waking in fitful starts
by the guttering hearth, a ring of somber-gabardined grandpas
plays dominoes. Their stubble picks up the flicker like filaments
still waiting for the bulb or the phone to be invented. Even their
coughs, their phlegms, are in an older language. They move the simple
pieces of matching numbers. In back
of the back room, in the unlit lengths of storage, it’s
that season: a cat eyes a cat. The sacks and baskets
are sprayed with the sign of a cat’s having eyed a cat, and
everything to do with rut and estrus comes down to a few
sure moves. The dust motes drift, the continents.
In the fern bar a hand tries a knee, as if unplanned.
Albert Goldbarth has published more than twenty-five collections of poetry. He has been awarded honors including the Mark Twain Poetry Award, fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and the National Book Critics Circle Award. (updated 6/2010)