Danielle Mckinney, Mercy (detail), featured in AGNI 103
Wounds
Here are two pictures from my father’s head—
I have kept them like secrets until now:
First, the Ulster Division at the Somme
Going over the top with ‘Fuck the Pope!’
‘No Surrender!’: a boy about to die,
Screaming ‘Give ’em one for the Shankill!’
‘Wilder than Gurkhas’ were my father’s words
Of admiration and bewilderment.
Next comes the London-Scottish padre
Resettling kilts with his swagger-stick,
With a stylish backhand and a prayer.
Over a landscape of dead buttocks
My father followed him for fifty years.
At last, a belated casualty,
He said — lead traces flaring till they hurt —
‘I am dying for King and Country, slowly.’
I touched his hand, his thin head I touched.
Now, with military honours of a kind,
With his badges, his medals like rainbows,
His spinning compass, I bury beside him
Three teenage soldiers, bellies full of
Bullets and Irish beer, their flies undone.
A packet of Woodbines I throw in,
A lucifer, the Sacred Heart of Jesus
Paralysed as heavy guns put out
The night-light in a nursery for ever;
Also a bus-conductor’s uniform—
He collapsed beside his carpet-slippers
Without a murmur, shot through the head
By a shivering boy who wandered in
Before they could turn the television down
Or tidy away the supper dishes.
To the children, to a bewildered wife,
I think ‘Sorry Missus’ was what he said.
Michael Longley
Michael Longley (1939-2025) was a widely acclaimed Northern Irish poet whose career spanned more than five decades. He published numerous collections of poetry, including The Weather in Japan, The Ghost Orchid, The Stairwell, and Angel Hill, and received many honors, including the T. S. Eliot Prize, the Griffin Poetry Prize, and the Queen’s Gold Medal for Poetry.