You in the door look back
_ _and are no longer there,
although that is the hall
_ _through which you walked a hundred times
thinking well, what of it?—awake
_ _in the middle of the night—
and that is the window where the sky drew back & night came on,
_ _where the planes banked in
scheduled and flashing from the west—
_ _Your hand was pulling shut the shade
and mornings, your hand pulled it up again
though you are not there, you in the door going over the days,
_ _going as a wave goes, that is,
nowhere, and all your lovers now? Those real,
_ _imagined? The sad,
gratified sighs?
_ _All that while,
through the evenings, didn’t something
_ _quietly call,
something off in the marginal light,
in the vapor through which
_ _the faces of passengers dimmed
and flickered? That slight
_ _rivering, insistent
beneath the blare of the television, beneath you as well, at the surface
busy with addresses, with pictures & books. You crowded the place,
_ _you in the door
who, looking back now—over the hallway, the shine
_ _of the relentless floor—
can no longer be sure
you are the person indeed who had that body
_ _and lived days in it there.
Kate Northrop is the author of three poetry collections: Clean (Persea Books, 2011), Things Are Disappearing Here, New York Times Book Review Editor’s Choice and runner-up for the James Laughlin Award, and Back Through Interruption, which received the Stan and Tom Wick Poetry Prize from Kent State University Press. A 2014 recipient of the Jeannette Haien Ballard Writers Prize, Northrop is a contributing editor at The American Poetry Review and teaches in the University of Wyoming’s MFA program. (updated 10/2014)