Chitra Ganesh, Over the City (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist and Durham Press.
What Remains To Be Said
Lately, I will look up—from the book covers I'm buried in, or the computer screen I'm plastered to—and experience a mild panic. What have I done with my life, I'll wonder, and has the extraordinary gamble of devoting myself to literature (at the expense of all else) been worth it; has it paid off?
At fifty-one (my sixth bewildering decade on this planet), I'm asking myself these questions with renewed urgency. Yet once the anxious flutter subsides, I'm left with the same answer.
I had no choice, really. There was no other way. A life of letters—first as voracious reader, then as delirious writer—has meant so many things to me it's difficult to begin to untangle.
On one level, reading and writing are play, serious play, and a fine-tuning of suffering. Which is to say, the literary life is a pleasurable form of self-mediation, pursuit of higher consciousness, and ultimately service.
Books—by others and, eventually, myself—have been there for me in ways that people could not be. They’ve revealed me to myself over time, mentored me, sustained and inspired me—offering a way to be in this world, but not of it . . .
Strange to say, perhaps, but it was reading and writing that taught me how to meditate in a fashion—slipping through the bars of self and time—as well as how to bow, give thanks, pray. Whether or not I realized it, from the start books pointed me in the direction of the long, hard road to spiritual transformation and helped me take the first steps.
Admittedly, writing has sometimes felt like a lonely vocation. In fact, the opposite is closer to the truth. Literature has repeatedly rescued me from loneliness and connected me to the world. Miraculously, it has gifted me friends across space and time, raising the dead of previous generations and granting me far-flung readers.
Thank you, dear friends (visible and invisible). I hope I’ve not been too self-indulgent and that my words, at times, have spoken your silences, the way other writers have spoken mine. I define aphorisms as quotes from the soul’s dialogue with itself, and it is remarkable that what we think of as most intimate can resonate most with strangers. I hope this is the case for these new aphorisms of mine:
Not all poets are prophets, but all prophets are poets.
Loneliness is the price we pay for not embracing aloneness.
The true artist is, with Jesus, a fisherman of souls.
One is not a mystic if they do not believe in a previous and future existence.
Love retrieves us from the underworld of the self.
Half of seeing ourselves in everyone is compassion; the other half is arrogance.
Fire releases our deepest sweetness.
Sometimes, love is biting your tongue until it bleeds.
Beware the blood of martyrs; it stains the soul for eternity . . .
After asking a question of the Divine, listen.
If not humility, then humiliation will be the key to salvation.
The poet’s notepad is a prescription pad.
If each of us houses the Divine, then to take another’s life is to murder a portion of God.
In matters of the spirit, a little is a lot.
Sometimes, greater faith requires small heresies.
Let your secrets be good deeds.
There is a time for running away and a time for returning Home.
Hope is another name for faith.
Do not be deceived by the great illusory distances of Time . . .
Save us from the smugness of certainty, the rigidness of finality.
Fanaticism is closer to doubt than faith.
Exiles are married to a dream.
In silence, we honor the unsayable.
Yahia Lababidi began writing aphorisms as a teenager in Egypt thirty years ago. Today, he is an internationally published aphorist, poet, and essayist whose work has appeared in such publications as World Literature Today, Cimarron Review, AGNI, Rain Taxi, Philosophy Now, and The Best American Poetry. His latest book is a collection of poems for Palestine entitled Palestine Wail (Daraja Press, 2024). Poems from the collection have been translated into Arabic, French, Malayalam, Gaeilge, Spanish, and into Dutch by the poet laureate of the Netherlands, Babs Gons. During the seven days of the annual global publishing event #ReadPalestineWeek, 3,351 e-copies of Palestine Wail were downloaded directly from the publisher.
Earlier, Lababidi released Quarantine Notes (Fomite Press, 2023), a collection of his short meditations on morality and mortality; Desert Songs (Rowayat, 2022), a love letter to Egypt's deserts that features Arabic translations by Syrian poet Osama Esber and images by Moroccan photographer Zakaria Wakrim; and Learning to Pray: A Book of Longing (Kelsay Books, 2021). Lababidi is also the author of two books of aphorisms, Signposts to Elsewhere (Jane Street Press, 2019) and Where Epics Fail (Unbound, 2018). Featured on PBS NewsHour, he has spoken at Oxford University and on NPR, and his cultural essays and articles have appeared in The Guardian, Krista Tippett's On Being Project, and Al Jazeera.
Lababidi’s work has appeared in several anthologies, including the bestselling Literature: An Introduction to Reading and Writing (Pearson), Geary’s Guide to the World’s Great Aphorists (Bloomsbury), and the first anthology of contemporary American aphorists, Short Flights: Thirty-Two Modern Writers Share Aphorisms of Insight, Inspiration, and Wit (Schaffner Press). (updated 1/2025)
Read Alex Stein‘s “The Prayer of Attention: A Conversation with Yahia Lababidi,” an AGNI Online interview excerpted in Harper’s Magazine’s “Links” for April 21, 2010.
A second interview appears in AGNI 74, Alex Stein‘s “The Exquisites: A Conversation with Yahia Lababidi.”