Editor’s Note


Florence of Paterson

Introduction to A Portfolio of British and Irish Poems

Shadowboxing: On the Failures of Victory

Crucibles: Report on a Report

A to Annoy


The Three Veils of Ibn Oraybi

Report to Ito Sadohara, Head of Tuna, Uokai, Ltd., to the Ministry of Commerce, Regarding Recent Events in the Domestic Fishing Industry

The Cow of the Ocean


Five poems: Sympathy, Sympathy, Sympathy, Sympathy, Sympathy


Fumbling with a Field Guide on the Back Arroyo Trail

Patio Lull with House Guest and View

Thumb Trick

Memory, a Snowfall

Second Canto of the Invisible Terraces

The Present Writer

ès el senyor Gaudí!

The Tenor on Horseback

How Long, O Lord, Will You Leave Them?


By George Seferis

Translated by George Kalogeris

Remembering My Mother’s Childhood

Changing ecologies of information, fragmented certainties. Sets up a vigorous call-and-response between fictions of eerie dislocation (Michael Mejia, Rick Moody, and Vincent Czyz) and essays of interrogation and witness—by William Pierce, Lia Purpura, Joel Brouwer, Wendy Rawlings, and others. Poets like Campbell McGrath, Christopher Middleton, Matt Donovan, and Leslie Wheeler are buttressed by a stylistically singular portfolio of British and Irish poetry edited by Kathryn Maris and Maurice Riordan of Poetry London magazine. A portfolio of visual art by Leslie Sutcliffe uses the logic of likeness as a basis for reassembly and restoration.

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