Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
The Last of the Ptolemies
I chose it for lechery:
that slink of grasping motion
across a marble floor,
almost boneless,
a line without sex.
Its eyes winked at my painted nails
rubbing across its head,
over oilcloth skin
dry as figs in the sun.
Such a smooth stalk
rising begs to be touched.
And its name, seductive
to tooth and tongue:
assssssssssssssssss
pah.
There was, of course, its silence.
I like its way with secrets,
that smile always lipped tight.
Slick obelisk, pursuing every thigh
exposed, ringing any downy arm,
committed to no one.
But most of all I chose it for its bite:
the tart sting quickly overtaken
by a coursing bliss
spreading through the scalp, the knees,
like an opiate.
Not a violent venom, no spasm–
a considerate juice
injected as you shiver
when it coils around your neck;
and then you succumb
to sleep, as though
waking to arousal.