Chitra Ganesh, How to Assemble a Flying Car (detail), 2018, linocut on tan BFK Rives. Courtesy of the artist & Durham Press.
Mulatto
Half donkey and half human being
half horseHalf human being three
halves which end is whichAnd which the back
for the saddle and whichThe fingers for the work
and where the songWhich unrelated to the body pass-
es through the body and that body is
Made more or less
a human body theSinger’s the listener’s the listener
Can’t help but feel nostalgic and a lit-
tle scandalized half
donkey with its star-tling hair attached
somehow to something livingTouch it it isn’t
smooth like real hairAnd every child can sing
and knows the songsAnd you will recognize yourself in the singing
And they will sing for any audience
And saddle both
the horse and rider singThe horse
sings with its back sings with its fin-gers and the singing is
not in its eyesWhich are an animal’s
not in its hairWhich isn’t real
not in its eyes which areNot real
but only in the body workingAnd makes the body human working you
Will recognize yourself in the singing
youWill not recognize yourself in the songs

Shane McCrae is the author of Mule (Cleveland State University Poetry Center, 2011) and two chapter books: One Neither One (Octopus Books, 2009) and In Canaan (Rescue Press, 2010). His poems have appeared or are forthcoming in The American Poetry Review, African American Review, AGNI, New Orleans Review, No Tell Motel, The Best American Poetry 2010, Fence, Denver Quarterly, Typo, Esque, and others. He has attended the University of Iowa Writers’ Workshop and Harvard Law School. He is working toward a PhD in English at the University of Iowa. He lives in Iowa City. (updated 5/2011)