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Published: Wed Apr 15 1981
Diego Isaias Hernández Méndez, Convirtiéndose en characoteles / Sorcerers Changing into Their Animal Forms (detail), 2013, oil on canvas. Arte Maya Tz’utujil Collection.
The Mouse and the Clock

It has just started to snow,
one large flake on the red roof of the house,
two small flakes on the black cap of a boy.
In the light of the street lamp flakes circle like moths.
Inside the house a woman sits in a chair
and behind her, like a mother reading over her shoulder,
is a tall, thin clock with a white face and gold hands.
Tick-tock, tick-tock, it says
like a tongue flicking in and out.
Tock-tick, you must read to the beat of my heart.
And slowly the story the woman is reading
shapes itself to the beat of the clock.
Tock-tock, says the clock to the child in the next room,
You must dream to the beat of my heart.
But the child, who is not asleep yet,
sits up when it hears the clock speak.
Look! says the child. It’s snowing.
The snow must fall to the beat of my heart,
says the clock.
And the wind must wind and unwind to my key.
The moon, too, it must rise and set to my chimes.

But the snow isn’t listening.
And the story the snow has to tell
rises and falls, loosens and tightens
to a rhythm only the snow knows.

The woman puts down her book
saying, This story is not very good,
when she hears a voice
smaller than the hole in a button,
finer than the point of a needle.
I, says the voice, _am a mouse.
_ And this is true, for a mouse
has come out of the oven and now it sits
in the center of the room.
Its ears are red, its tail is red
and skinny like the leather marker in her book.
The mouse looks at her with its tiny red eyes.
Then it begins to dance, shouting:
Chalk for the nose, hair for the bag.
Nasty the whisker and worse the hag.
Tick-tock, tick-tock,
says the clock. That’s nonsense!

But as the mouse speaks its voice grows bigger
until it is big as the buckle on the woman’s belt,
and bigger until it is big as the shoe on her foot,
until it is big as the voice of the child
calling from the next room.
Look! says the voice. _It’s snowing.
_ And for the first time that evening she looks at the snow.
When she does, the snow is so loud that for a moment
she cannot hear the clock speaking.
Tick-tock, says the clock. But she really cannot hear it.
Instead she hears the moon.
And it seems to her that the moon
is a clock without hands and without numbers.
One, says the moon, One.
Two,
says the moon, Two.
Listen, says the child, the moon is chiming.

See what's inside AGNI 14

Susan Mitchell is the author of two books of poems, including Rapture, which won the first Kingsley Tufts Award and was a National Book Award finalist. She has received grants from the Guggenheim and Lannan foundations. She is currently at work on a third book of poems and a book of essays to be published by HarperCollins. She lives in Boca Raton where she is a professor in the English department of Florida Atlantic University. (1996)

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